…of gardeners and farmers

…of gardeners and farmers

In the garden Autumn is a season of removing, of taking away.  On the farm, it is a time of harvest; for the gardener, it means a cutting back so flowering plants can consolidate and renew themselves through the colder season. For the farmer, it means gathering up the produce and grain, so they can be used to nourish.

It seems most appropriate then that this month I brought to conclusion my time as a teacher, ending 25+ years in a formal classroom, teaching levels from pre-K through college (So amusing to have been called ‘Professor’) followed by 25+ years giving workshops, teaching in the studio and in varieties of informal spaces and leading arts organizations. My hope is that this new phase will produce both a harvest of renewed creative energy, even as I now give consolidated focus to what my mind and hands do directly with the the clay, to the sculpture I create. 

My studio practice is now all. 

While I found all that has gone before exciting and so very appealing…I loved engaging with ‘human clay’ as much as the earthy stuff…I do look forward to this new moment with great eagerness. 

Earthsongs lives in the midst of a ‘handkerchief garden,’ a small plot, front back and side, that Nino and I tend with great care. So, I understand the season from the gardeners’ point of view: all quiet, just the structure, the ‘good bones’ of the space making themselves known, as well as all the physical labor it takes to bring it to this point of quiet.  

With my Dad hailing from a farm in the Heartland, I claim something of the farmer in my genes as well. And so I look at this time as one that will produce a ‘harvest of fruition,’ a time that will allow me to create in new and exciting ways, that will be nourishment to not only myself, but all who will encounter my work. 

“…the nothing which is everything.”

“…the nothing which is everything.”

Someone cleverly remarked that the Pandemic has reduced us to the same lot as Peasants living in the Middle Ages:

“Bake Bread, Avoid the Plague, Revolt Against Tyranny.” 

How true!      I laughed. 

…but it brought me to think about the inherent connection all of us have with all those humans who have gone before. And specifically for me, my connection with all those craftspeople, sculptors, potters, those whose skill adorned public and religious structures, even those who painted murals on the rock walls of the caves of Altamira and Lascaux.

Every day in the studio pushes me deeper into an understanding of what art is and what it is all about.  The Dutch artist Frederick Franck describes it this way, 

“Art is neither a luxury nor merchandise, and far from a hobby. Art must arise from regions fathoms deeper from the deepest recesses of the human Spirit.  It springs from the maker’s core, as if it is to touch the core and the very truth of the one who confronts it.”

So while I toil away at 242, creating functional sculpture hopefully to bring beauty to individual residences, my real effort is to infuse the core of life into each work. And while I have a prominent piece of wall sculpture for sale in Papillon, it is there with the express purpose that someone will recognize something of their own spirit in that work and allow it to resonate in their home.

Kafka tells us, “Art is a nothing that is everything,” 

I think most of us have a sense of that. Art distinctly changes the energy of a place. I tell my clients who commission work that they are “my Medici;” they make it possible for me to create.  To commission a piece of art is inherently different from simply purchasing any other object, a pair of shoes, a kitchen appliance.  Those may well make life more comfortable, easier, but they do not deal with a matter of ‘soul.’

It was a comfort to remember that while many were doing the “bread baking” thing, there were also…even back then…many others who were engaged in creating art, that “nothing” which is everything. 

So Which Garments Don’t Fit Anymore…?

So Which Garments Don’t Fit Anymore…?

September has unceremoniously arrived. Most of us can hardly believe it…I know I can’t. I thought for sure we would be ‘through the Portal’ by now, on to other things, the new taking shape…

But no.

“The Portal…calls us to tarry rather than rush through, to accept our vulnerability and not simply re-clothe ourselves in garments that no longer fit”.

I continue to sit in that doorway trying to discern which “garments I should not re-clothe myself in,” which “garments no longer fit,” looking out at the world, still very separate, visiting few friends, at best, “zooming” with family.

Knowing that offering classes and workshops are very definitely some of the “garments” that no longer fit, that organizing and administering arts groups in the community is assuredly “a wardrobe” I have definitely outgrown, I looked with uncertainty at the Studio’s relationship to the rest of the world. I agonized over whether or how I should reach out and connect with the community during the height of the Quarantine, but recognized that, too, was not vestiture that was mine. And with it all, I was concerned that my connection with others would become more limited than I would appreciate.  

Shaking me into the beginnings of a new consciousness, however, is the surprising unsolicited flow of commission requests. I am in the midst of a whole series of large projects and small ones, all delightful ideas that call me to engage with the clay in both familiar ways as well as those that stretch my knowledge and relationship with the material. Interaction with individual clients around specific projects these weeks has assured me that there will continue to be lively human connection in the studio.

Every artist, and I believe to the pluperfect, the clay artist, has an element of the hermit in her personality. Thus, my alone-time working at Earthsongs is deeply welcomed. Despite that, there has continued to be a genuine flow to the life of the Studio. Because of this, I have come to know that it is the creative impulse itself, purely the energy inherent in the action of creating, that is an attraction, even as my “old garments” are cast aside.

So that even while alone, standing purely as maker, I understand myself more clearly now as a genuine part of the flow of life here in this local community and the community of the world.

Do I need to do away with other “garments”? Perhaps. But for now, I’m becoming more comfortable wearing just the ones I still have.

RECOGNIZING THE PORTAL

RECOGNIZING THE PORTAL

We are created to create, to leave the familiar, to cross thresholds and give birth to bold new ideas. We are invited to the borderlands of the known, to imagine a new earth healed not scorched, rested not exploited, and regenerated by human ingenuity and innovation.   —Tom Gunning

The very day last month that claysongs.com went live and introduced the Porta Caeli to the world, quite unexpectedly I received a small paperback publication that included a series of essays identifying this current time/space moment as “Liminal Space,” in other words, a time in-between or a Portal before we enter the next space.

Now, having spent six months focused on creating just that…a Portal…I was rather blown away. All of those writings presented this as a time/space experience of Threshold…life is not what it was before, but we don’t yet know how it’s going to be.

Creating for me is always a spiritual experience, but never has my work linked so thoroughly and serendipitously to a deeply spiritual moment involving the entire planet.  The Porta Caeli, as Nino baptized it, had been in my mind for many years, but only now in 2020 was it able to be brought to life and so become an apt symbol for our experience.

Interestingly in Tibet, there is no word for creativity because for the people of that culture, the very fact of being human is to be creative. And so for the maker, the one who creates, and that is all of us, liminal time is essential. It makes us see things differently; forces us to let go of what was, and hence is crucial to the creative process.

This is undeniably a moment of transition…the very thing a Portal proclaims…a space of demarcation.  Anxiety and unsettledness permeate everything; all is mystery. Despite that, Liminal space is a place of power where we learn to let go so that we can genuinely embrace and shape what is to come. 

In Liminal Time/Space, we sit on the Threshold and be with the mystery.

The Portal becomes an object that both beckons and protects; it invites us to acknowledge that a transition is taking place and calls us to tarry rather than rush through, to accept our vulnerability and not simply re-clothe ourselves in garments that no longer fit.

This is a time 
that is not a time
A place that is not a place
...between the worlds...

including ideas shared by Tom Gunning, Felicia Murrell, Brandan J. Robertson

Beginning anew amidst a pandemic

Beginning anew amidst a pandemic

Beginning anew amidst a pandemic…honoring the past…embracing the future…

Creating a new digital face for Earthsongs…a new way to present the studio to the world…was an immense endeavor, one that has taken nearly half a year.  First, it required me to review and be thoughtful about what I had done through my ceramic art for the past nearly 30 years, and if I include the work created at an earlier studio Canticles in Clay, the forerunner of Earthsongs, then more than 30.

Then to realistically look ahead to what I hope to achieve going forward.

Collaborating with an insightful webmaster, a true ‘master,’ and one with whom I have partnered for nearly two decades, I was given tools and guidance to approach that task…while Kyra, of WhyKyra.com…possessed the digital skills as well as the innate creative ability to use word and image and color to create the spirit of what the studio is about and to design something that would clearly say all of that.

Now this moment is one when the entire world, all of living humanity, our fleshy beings, have been encouraged for over two months, for our own health and the good of our neighbors, to pause, to ‘hunker down,’ to draw in, to center, to quiet ourselves.  But today, even as we long for an end to the quarantine, “Claysongs 3.0” leaps into being, a sign of hope and newness, allowing the fresh public face of the studio to travel boldly through the ether and around the world, even as I continue to create in the cloister of Earthsongs,

My hope is that Claysongs becomes a place you visit often, beautiful and inviting, a digital destination to which you invite friends; a place you can peruse together with those you are now ‘sheltering.’  Do stay safe…do remain well.